AI TV script writer
Develop characters, episode ideas, season arcs and scripts through one continuous creative conversation. For television series, pilots and episodic scripts, where the real work is keeping episode seven honest about episode two.
COLD OPEN
INT. MARA'S APARTMENT — NIGHT1
The room is dark except for the kitchen. MARA sets out two cups without being asked. One is already chipped; she turns it toward herself.
DANIEL (O.S.)
You knew I was coming?
MARA
I keep a spare. Sit down before it gets cold.
The continuity problem
Projects hold series, seasons and episodes as one body of work. The threads that run between episodes are project records, so what a character learned in the pilot is still true in the finale.
EP 101
The audience learns before Mara does.
Establishes: the chipped cup, Daniel knows
EP 102
Daniel's sister's name is already on it.
Carries: Daniel knows · Adds: the sister
EP 103
Nine years of practice, performed for a witness.
Carries: both threads, unresolved
EP 104
He uses it. Act break of the season.
Pays: pilot's cold open
Writers' room, singular
Not a cast of bots. One partner that breaks story with you, drafts what you assign, and keeps the continuity ledger nobody enjoys keeping.
Arcs, act breaks and episode engines offered with reasons, taken or left at your discretion. Nothing becomes the plan until you say it is the plan.
Cold opens, acts and tags where your show's profile calls for them, in professional layout. Export is built to look like a proper script, with nothing of ours on it.
Fair questions
Yes. Season shape — arcs, engines, act breaks — is developed in conversation and kept as project records you can edit directly. The agent reads those records before drafting any episode, which is what keeps episode seven honest about episode two.
A television project holds the series, its seasons and its episodes as one body of work. What a character learned in the pilot is project truth, not a memory the tool hopes to keep, and contradictions get flagged instead of absorbed.
Television profiles are part of the format system: cold opens, acts and tags where your show's structure calls for them. A profile can change within the television family without rewriting your work.
Yes. Name the show and StoryProp researches it — characters, tone, structure — and saves that as cited project research. You direct how closely to follow the source; spec scripts and fan projects are supported uses, without a rights questionnaire interrupting the work.
Only if you ask it to. Default drafting is scene by scene, returning control after each pass. An explicit request for a full episode runs the whole named scope in coherent sections without nagging you between them.
Yes. StoryProp is a general-purpose writing product; this page focuses on dramatic television, meaning series, pilots and episodic scripts. Novels, nonfiction, essays and more live in the same workspace.
Start with the pilot, or with the ending you already know.
Build your television series